the art of warren carther
glass + steel
Tammy Sutherland
click image to enlarge
Many an auspicious journey has begun with a moment of epiphany, of ‘seeing the
light’. Few, however, can claim this to be the case quite literally. Into this elite category
falls Warren Carther, an artist whose life-long love of glass was initiated by a
serendipitous encounter with what he now refers to as a “less than noteworthy” light
fixture-cum-modernist-sculpture by architect Gustavo da Roza.
Reflecting back on a distinguished 35+ year career as an architectural and sculptural glass artist,
Carther recalls the day he toured the newly built Winnipeg Art Gallery with a friend and first
saw the da Roza piece, a collection of glass globes suspended from crisscrossing bars, installed over
the table in the cordoned-off boardroom. So impressed was he that for days to come, Carther would
ruminate on what he saw as the fantastic properties of glass: its transparency, its brittleness, its mystery.
His insights into the phenomenal potential of glass—
the ability to work with colour, movement
and light, the sculptural possibilities—fuelled his growing preoccupation with the material and
soon set him on a course of study that would have him blowing glass, first for a summer with Bill
Carlson, then under master artist Marvin Lipofsky at California College of the Arts and Crafts.
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