mi’kmaq basketry
grass + bark + splint
Joleen Gordon
click image to enlarge
If we could see beneath the forest floor, we would see that
all the trees, the pine, the birch, maple and so on, are
holding hands, regardless of species. We as people, regardless
of race, must come together and hold hands and help
each other. We must listen to our Mother Earth. She is
sending us a message.
—Mi’kmaq Elder and Spiritual Leader
Chief Charlie Labrador, 1932-2002
Mi’kmaq First Nations People in Atlantic Canada
draw on the natural world to provide the plant
and animal fibres and dye sources necessary for
their basketry. This extensive knowledge of surrounding resources—
seasonal gathering times, preparation methods
and weaving techniques to use with specific materials—has
evolved over the years with demographic, economic and environmental
shifts.
Two major archaeological sites have revealed to us information
essential to the history of basket making. In both
cases, fragments of organic material have been preserved
owing to the presence of copper sulphate, acting as a biocide.
The 2,500-year-old Augustine Mound on the Miramichi
River in northeastern New Brunswick contained residues of
an apparently affluent salmon-rich fishing area where makers
created exceptional textiles with materials gathered from
fauna and flora: moose-tendon warps wrapped with bundles
of moose hairs; alternating rows of alternating pairs of unwrapped
and porcupine quill-wrapped moose-tendon warps separated by rows of tendon twining;
woven two-ply fibre used in both warp
and weft; braids of plant leaves, wood
splints and spun animal hair. Many of
these fibres have yet to be identified.
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